Or perhaps Wonderwall? Or even Lady Gaga…..
(slightly odd Eastern European feel to this one!)
Or Michael Jackson
On Sunday night, after a family weekend, I returned from a family weekend to my latest arrival from Lovefilm. Dreamgrils, a movie from the musical of the same name is a fantastic musical portrait of an era in American social history defined by race, music and culture. “Dreamgirls is a roman à clef of the histories of the Motown record label and one of its acts, The Supremes“. A car salesman who signs a trio of 8-year-olds, the Dreamettes, gets them a job backing an R&B performer, James “Thunder” Early, love triangles and internal politics.
But it’s the music, incredibly all original, that makes this film. One I should definitely own (even Eddie “party all the time” Murphy is a surprise!). My favourite track has to be One Night Only, performed in turn by the downtrodden Jennifer Hudson (whose awesome voice tugged my heartstrings) and in a more upbeat style by Beyoncé:
I saw the words ”Cologne Cerrone Houdini” on facebook today. Of course my first thought was “what the heck is that all about?”. (Well, wouldn’t you?)…
Turns out it’s Goldfrapp lyrics (I should perhaps have guessed). But, still, what on earth is that all about? My friend who posted it pointed me to a website which answers all your song lyric questions.
It’s interesting to note that this track marks yet another reference to French disco legend Cerrone (Supernature is also the name of a classic Cerrone album), but Goldfrapp’s explanation of the title is more of a random coincidence than another tribute. “We were jamming, and the word ‘Cerrone’ just came out of my mouth,” she says. “Subconsciously, maybe I was thinking of Cerrone, but it wasn’t something in the front and center of my mind. The ‘Houdini’ part came because I was reading a book about him and the whole idea of escapism. I used this as a metaphoric idea about an ex-boyfriend who tried to escape from as many situations as possible.”
And when you see the video for Cerrone’s Supernature you can perhaps see the influence he’s had on Goldfrapp… Compare it
to perhaps Number 1, A&E or Alive (videos below), and perhaps even a little Rocket. I think I’ve found a brilliant new French musician to enjoy!
Or perhaps as was pointed out to me after I posted this perhaps Cerrone’s animal head and shaky camera fetish had more of an influence on Goldfrapp’s video for Train:
Three weeks ago I went to see the Scissor Sisters live at Brixton Academy. Their smaller gigs are so much more impressive than arena tours. And of course I got down to the front, or as close as I could. Here’s some photos:
Tonight is Eurovision 2010 – in Oslo. Last year’s fiddler won resoundingly and took the contest to Norway this year. Having seen the semi-finals (including the shock ejection of Sweden!) I’m looking forward to a night of musical camp and frivolity.
For Pete’s Sake! This year’s UK Eurovision entry may have come in for criticism – and to be honest I don’t know a single friend of mine that thinks it’s much good – but That Sounds Good To Me (below) has certainly grown on me. The title refrain has not only been going round in my head all day, but coming out of my mouth too!
Azerbaijan are known to be favourites this year. Their ballad-ic eurostyle song (Swedish written, of course) is one that – in song terms perhaps – should do very well. In a quirk of eurovision Cyprus this year is represented by a Welsh boy. Not so sure they’re favourites though, sadly.
But I have a couple of other personal favourites. Romania’s catchy little number (musically less melodic than Azerbaijan, but more catchy than Pete Waterman’s ditty) is one of those tracks that sticks in your head and you remember in the midst of the other short numbers that merge into one as you watch them all.
The Ukranian track is another memorable one, less camp, more quirk but with a mild svensk-schlager slant. Interestingly this song was selected in a re-run of the country’s own contest this year after a new president of the state controlled television network was appointed by the government. Finally, however, Bulgaria have realised that it’s not only about the song – it’s the performance – in Bulgaria’s case a dance track accompanied by babyoil coated dancers (for which you may have to watch tonight!)…
UPDATE: well I’ve just been reminded you won’t be able to look out for babyoil boys – their dance number failed – like Sweden – to make it through the semis. Shocking, i know!
I’ve been a fan of all things Swedish for some time now, ever since I spent six months there in 2003 (that makes me feel old). So I have been surprised not to have attended the Scandinavian pop night Scandipop before last night. I went with a friend (who was late) but also met a couple of friends there for some live music from BWO, a.k.a. Bodies Without Organs, a Swedish “laptop pop” trio in the style of Army of Lovers with a quirky humourful poppyness and recent hits including Chariots of Fire, and Sunshine in the Rain.
I just thought I’d share a few pictures of BWO from last night.
Well last night’s Eurovision party was great fun. Noway, represented by Alexander Rybak (born in Minsk, don’t you know) were a well deserved winner (pic below). Any guy that can Fiddle with himself on stage should get full makrs in my opinion. Also worthy of a mention was the UK, Sweden (whose operatic act was accompatied by six dancing Karen Walkers), Armenia and those Balkan Girls (who came an undeservedly low 19th).