Spring started in London this week. by the end of the week, of course, it was hiding behind clouds again. But on Wednesday night I was walking in central London at dusk. it has to be the magical hour in London. The one that makesthe city looks it’s most mystical, etherial and beautiful. Here’s some photos taken on my iPhone:
Today I am officially old[er]. This scares me.
Last Tuesday, while I was still in New york, I went to see another Broadway show. The play, Next Fall, has had a magnificent welcome. Starting out last year off-Broadway it progressed and was in previews at on Broadway when I saw it.
It’s a play that deals with relationships between couples, parents, friends, and God. The relationship at the haeart of the play is a gay one. But it could be any one. I tend to connect with plays that have a theme about relationships (how could one be written without such?), but in particular gay oned (I also saw a tremendous piece of gay theatre off-Broadway, The Temprementals, while I was in New York). The play opening formally in March, was written by Geoffrey Nauffts and produced by Elton John and David Furnish.
Next Fall one opens in a hospital waiting room – a place where, no matter where in the world you are (New York, London, Bogota) the same emotions come to the fore: fear, worry, stress, loss, worry, concern… The story is about a gay couple and starts in what is, essentially, the final scene. It progresses with a series of flashbacks to tell the story of Luke, who ens up in a hospital bed, and his partner Adam.
Luke believes in God. Adam believes in everything else. “Next Fall” portrays the ups and downs of this unlikely couple’s five-year relationship with sharp humor and unflinching honesty. And when an accident changes everything, Adam must turn to Luke’s family and friends for support… and answers.
The religion aspect is one which interests me in particular. Growing up ‘different’ and having a faith are things that are not necesarilly easilly reconcilable. They’re something that takes some personal struggle. And this play asked some uncomforable questions as part of the plot. But it also proved that understanding it requires a personal belief.
The play particularly shows how this, combined with family relationships, can cause gay people to remain uncomfortable. In a country where Proposition 8 has recently been introduced, to stop the progress that had recently been made on introducing gay marriage in the US, it’s a situation that remains, and a story that should be told. Ironically, Porposition 8 was voted for the same day as President Obama won the US presidential election – and this juxtaposition brought forward the ideaf for Next Fall.
At times, through the flashbacks, I felt like only part of the story was being told – I felt as though the struggle between faith and sexuality was not being fully explored. But alongside resolving the sixth character’s position the reason for Luke’s understanding of faith and exuality became clearer.
It was brilliantly acted, but – even more so – a fantastic, emotional funny and thought provoking well-written script. I’d gladly see it again, and I’d most likely well-up in the same way. If you get the chance to see this Play in New York, or wherever it is lucky enough to be produced next.
There are some very amusing signs around New York. Here are just a few.
Receiving King Charles
The Midas Touch?
Anti-healthy health-food cafe/store
99 Cent Dreams